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L INDE: L INTERET DE CINEASTES FRANCAIS.
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IRANIAN CINEMA: PRE-REVOLUTION AND POST-REVELOUTION.
Majid Sarsangi and Hamed Soleimanzadeh.
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PECULIAR ANALYSIS OF MIGRANT TYPES IN FICTION
B.B. Shukurova
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AMBIVALENCE OF HOSTILITY AND MODIFICATION: PATRIARCHYS IDEOLOGICAL NEGOTIATION WITH WOMEN, MODERNITY AND CINEMA IN IRAN
Elnaz Nasehi
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LE CINEMA : UN OUTIL PEDAGOGIQUE AU SERVICE DE LINTERCULTUREL DANS LA CLASSE DE FLE
Annie Gupta
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ANCIENT INDIAN CONCEPTS AS PORTRAYED IN CONTEMPORARY WESTERN FILMS
Annie Gupta
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THE OTTOMAN EMPIRE REIMAGINED: SATIRICAL CULTURAL REPRESENTATIONS IN TIGA ABDUL (1964)
Afeez Nawfal Mohd Isa, Ammalina Dalillah Mohd Isa, Li Mengjiao, Mohamad Yusob B. Ismail and Muhammad Hasif B. Nor Muzaffar
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INTERPRETING THE LANGUAGE OF CINEMA ANALYZING THE ROLE OF SEMIOTICS IN ENHANCING VISUAL STORYTELLING AND CHARACTER DYNAMICS IN CINEMA
Santosh Swarnakar
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FROM STAGE TO SCREEN: EXPLORING DIRECTORIAL APPROACHES ON ADAPTING MUSICALS TO FILM
Petar Odazhiev
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ECOLOGICAL DYSTOPIAS IN CONTEMPORARY CINEMA: ENVIRONMENTAL DEGRADATION AND CLIMATE CRISIS IN KALKI AND UGLIES
Abinash Mohapatra
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Vol. 5, Issue 01, Jan. 2017
Paper Submission: 28 Jan. 2017
Author Notification: 7 to 10 days
Journal Publication: 30 Jan. 2017
Impact Factor: 7.337IC Value 94.33
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